I'll just try a mixture of both and see what sells.
Friday, 17 February 2017
Pendants with regular chain
Here a a few new pendants with snake and cable chains.
New Rosary style pendants
I've also got these turquoise and clear beads:
I quite like the clear beads, really not sure about the turquoise. I'll probably re-do those.
Wednesday, 15 February 2017
'Tyto' - the end result!
Background scraped, ink flecks added and I think it's ready!
'Tyto'
mixed media (oil pastel and lino ink).
Scraping away the lino ink
The scraping stage: I'll concentrate on the owl first ....
I use a tool that you buy to scrape away scraperboard (or scratch board). It's better if it's not too sharp, or you can tear the paper, so use a tool that is quite worn down.
Covering up the owl!
The scary (and messy) bit - covering the entire thing with black Lino ink! Even the light areas need covering, but I need to be able to see what I'm doing, so I won't use much ink here.
It's important not to allow the ink to dry as it will make the scraping less fluid- so I have to start the next stage straight away. . . .
It's important not to allow the ink to dry as it will make the scraping less fluid- so I have to start the next stage straight away. . . .
Owl Painting step 2 - colour
Example of working method - oil pastel and lino ink painting
This is a step-by-step guide to creating a painting using oil pastel and lino ink and a scraper tool.
Long, thin owl painting- 'Tyto' - stage one: having already done some preliminary sketches I draw out the owl, keeping it quite basic; there's no point in getting too detailed here, as I'm going to completely cover it up. Also once I start scraping away I don't want to see too much pencil work showing through.
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